japonisme

13 October 2009

meow • (halloween suite)



THE GARDEN BY MOONLIGHT

A black cat among roses,
Phlox, lilac-misted under a first-quarter moon,
The sweet smells of heliotrope
and night-scented stock.

The garden is very still,
It is dazed with moonlight,
Contented with perfume,
Dreaming the opium dreams of its folded poppies.

Firefly lights open and vanish
High as the tip buds
of the golden glow
Low as the sweet alyssum
flowers at my feet.
Moon-shimmer on
leaves and trellises,
Moon-spikes shafting
through the snow ball bush.

Only the little faces of the ladies’ delight are alert and staring,
Only the cat, padding between the roses,
Shakes a branch and breaks
the chequered pattern
As water is broken by the falling of a leaf.

Then you come,
And you are quiet like the garden,
And white
like the alyssum flowers,
And beautiful as the silent sparks of the fireflies.

Ah, Beloved, do you see those orange lilies?
They knew my mother,
But who belonging to me will they know
When I am gone.

Amy Lowell

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01 July 2009

the blossom flies

we have spoken earlier of the echoing, in the birth of japonisme, of nature's related forms. of course this recognition didn't start in the west:

in around 1400, moritake arakida wrote:

The fallen blossom
flies back to its branch:
A butterfly. 1


in 1820, issa wrote:

.遠山が目玉にうつるとんぼ哉
tôyama ga medama ni utsuru tombo kana

the distant mountain
reflected in his eyes...
dragonfly

david lanoue writes: Issa sees a vast mountain (or mountains) miniaturized in the tiny bubble-eyes of the dragonfly.







Just as his English contemporary, William Blake, glimpsed a universe in a grain of sand, Issa perceives the great in the small: a mountain in the twin mirrors of an insect's mirror eyes.


The power of this image cannot be fully explained; with it, the poet coaxes the reader into a deep contemplation of the nature, and interconnectedness, of all things.

also from 1820 is issa's:

.蜻蛉も紅葉の真ねや竜田川
tombô mo momiji no mane ya tatsuta-gawa

a dragonfly copies
the red leaves...
Tatsuta River 2

more recently, in 1919, amy lowell wrote:

Is it a dragonfly or a maple leaf
That settles softly down upon the water?

one western artist was known to take most deeply to heart the teachings of the japanese. his name was lucien gaillard. as was written about him during his lifetime, "Lucien Gaillard is ever on the look-out for that which is fresh and novel. As gold-worker and jeweller he has been fore- most among the most resolute supporters of the modern decorative art.

At first the jewels he produced were somewhat complicated and distorted, but now he has attained to greater wisdom and greater simplicity, this evolution being the result of serious and patient study of the Japanese masters.


He has been at great pains also to recover the secret of the marvellous oxidations on the bronzes of the Far East, and he has succeeded therein. He has lately shown some hair-pins and small-combs thoroughly characteristic of his present manner." 3


in her book on gems and jewelry, marilena mosco says, "Lucien Gaillard, who exhibited for the first time in 1902, was the most "Japanese" of the Parisian jewelers.



"Monsieur Lucien Gaillard has always been seduced by the art of the Japanese and is highly interested in the mystery of their work. One of his merits is the instantaneous legibility: clear, sharp and the pureness, of his designs.

Copying faithfully the shapes and lines of Nature, synthesizing them but not falsifying them, he achieves in his creations a sober simplicity." 4

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07 April 2007

war


PATTERNS

I walk down the garden paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jewelled fan,
I too am a rare
Pattern. As I wander down
The garden paths.

My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.
Not a softness anywhere about me,
Only whalebone and brocade.
And I sink on a seat in the shade
Of a lime tree. For my passion
Wars against the stiff brocade.
The daffodils and squills
Flutter in the breeze
As they please.
And I weep;
For the lime-tree is in blossom
And one small flower has dropped upon my bosom.

And the plashing of waterdrops
In the marble fountain
Comes down the garden- paths.
The dripping never stops.
Underneath my stiffened gown
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
Hand upon her.
What is Summer in a fine brocaded gown!
I should like to see it lying in a heap upon the ground.
All the pink and silver crumpled up on the ground.

I would be the pink and silver as I ran along the paths,
And he would stumble after,
Bewildered by my laughter.
I should see the sun flashing from his sword-hilt and the buckles
on his shoes.
I would choose
To lead him in a maze along the patterned paths,
A bright and laughing maze for my heavy-booted lover,
Till he caught me in the shade,
And the buttons of his waistcoat bruised my body as he clasped me,
Aching, melting, unafraid.
With the shadows of the leaves and the sundrops,
And the plopping of the waterdrops,
All about us in the open afternoon --
I am very like to swoon
With the weight of this brocade,
For the sun sifts through the shade.

Underneath the fallen blossom
In my bosom,
Is a letter I have hid.
It was brought to me this morning by a rider from the Duke.
"Madam, we regret to inform you that Lord Hartwell
Died in action Thursday se'nnight."
As I read it in the white, morning sunlight,
The letters squirmed like snakes.
"Any answer, Madam," said my footman.
"No," I told him.
"See that the messenger takes some refreshment.
No, no answer."
And I walked into the garden,
Up and down the patterned paths,
In my stiff, correct brocade.
The blue and yellow flowers stood up proudly in the sun,
Each one.
I stood upright too,
Held rigid to the pattern
By the stiffness of my gown.
Up and down I walked,
Up and down.

In a month he would have been my husband.
In a month, here, underneath this lime,
We would have broke the pattern;
He for me, and I for him,
He as Colonel, I as Lady,
On this shady seat.
He had a whim
That sunlight carried blessing.
And I answered, "It shall be as you have said."
Now he is dead.

In Summer and in Winter I shall walk
Up and down
The patterned garden-paths
In my stiff, brocaded gown.
The squills and daffodils
Will give place to pillared roses, and to asters, and to snow.
I shall go
Up and down,
In my gown.
Gorgeously arrayed,
Boned and stayed.
And the softness of my body will be guarded from embrace
By each button, hook, and lace.
For the man who should loose me is dead,
Fighting with the Duke in Flanders,
In a pattern called a war.
Christ! What are patterns for?

AMY LOWELL

(amy lowell's imagistic style, about which there is some debate as to quality, is of the school of poetry said to have been inspired by japonisme.)

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16 March 2007

from Spring Day

Bath

The day is fresh-washed and fair,
and there is a smell of tulips and narcissus
in the air.

The sunshine pours in at the bath-room window and bores through the water
in the bath-tub in lathes and planes of greenish- white. It cleaves the water
into flaws like a jewel, and cracks it to bright light.

Little spots of sunshine lie on the surface of the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir of my finger
sets them whirring, reeling. I move a foot, and the planes of light
in the water jar. I lie back and laugh, and let the green-white water,
the sun-flawed beryl water, flow over me. The day is almost
too bright to bear, the green water covers me from the too bright day.
I will lie here awhile and play with the water and the sun spots.

The sky is blue and high. A crow flaps by the window, and there is
a whiff of tulips and narcissus in the air.

--Amy Lowell

(mathews; mucha; will source others later)
[note: somehow the images disappeared from this post completely so i put them back. now the first ones will probably come back and there'll be two. i'll come back and fix it again.]

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